Trumping Democracy | Louis Proyect: The Unrepentant Marxist – COUNTERPUNCH, January 5, 2018
Available from Cinema Libre Studios, “Trumping Democracy” provides the key to understanding how we have ended up with the most unpopular president in history. Despite the tsunami of reports about Russia meddling with the 2016 elections, this gripping documentary makes the case that it was instead the result of a combination of Robert Mercer’s funding and the computer-based Psyops his Cambridge Analytica firm exploited. This one-two punch produced a president that Gary Cohn described, according to Michael Wolff’s new bombshell book, Fire and Fury, as a “An idiot surrounded by clowns.”
Including the director Thomas Huchon, “Trumping Democracy” was the product of a creative team that despite (or, perhaps because of) its French provenance has a sharper focus on our national calamity than MSNBC, CNN and all the other usual suspects. Huchon’s last documentary “Conspi Hunter” was based on a bogus conspiracy theory about the CIA inventing the AID virus in order to subvert Cuba. He released the film online in order to show how quickly and easily conspiracy theories can go viral on the Internet. Given the role of Breitbart News and Infowars in the Trump campaign, it was logical that Huchon would make his latest film a kind of follow-up to “Conspi Hunter”.
Chip Berlet // ‘Trumping’ Democracy: Right-Wing Populism, Fascism, and the Case for Action | Political Research Associates
Back in 2010 Chomsky started lecturing about the collapse of the Weimar Republic in Germany into the abyss of Hitler’s totalitarian Nazism.2 There are parallels to our current political climate than need to be examined cautiously, even though conditions in the U.S. are not nearly as bad as those faced by the Weimar Republic.
Is it really fair to suggest Trump—neofascist or not—poses a danger to civil society itself, as occurred in Germany at the end of the Weimar Republic? A review of Trump’s rhetoric makes this a legitimate question. Trump keeps gaining ground. As New York Daily News columnist Shaun King wrote in November:
For nearly six straight months, no matter how racist, sexist, anti-immigrant, or anti-Muslim Trump gets, he has maintained his lead in the polls. In fact, from all indications, it appears the more his public talk resembles that of a white supremacist, the more rabid and entrenched his support gets.3
The examples of Trump’s fascist-sounding rhetoric are numerous. In June, Trump tweeted, “I love the Mexican people, but Mexico is not our friend. They’re killing us at the border and they’re killing us on jobs and trade. FIGHT!”4 In July Trump falsely asserted, “The Mexican Government is forcing their most unwanted people into the United States. They are, in many cases, criminals, drug dealers, rapists, etc.”5
Trump’s sexism was displayed at the Republican debate on August 6 when he was asked by Fox News reporter Megyn Kelly about referring to women as “fat pigs, dogs, slobs and disgusting animals.” Trump later attacked Kelly on CNN, saying, “You could see there was blood coming out of her eyes. Blood coming out of her wherever.” The London Guardian reported that the “insinuation that Kelly was menstruating crossed a line for organisers of the Red State Gathering, a conservative event featuring GOP presidential hopefuls.” That group cancelled an appearance by Trump.6
Forging ahead, Trump claimed in September that the United States had become the “dumping ground for the rest of the world” for undocumented immigrants and proposed rounding up and deporting some 11 million of them, including their children, who are U.S. citizens.7 In a series of rambling and contradictory statements, Trump called for widespread surveillance of Muslims and refugees in the United States, and seemed to agree to the need for a federal database registering all Muslims, although he later backed off to say he was only considering it as a possibility. He confirmed that he wanted such a database for all Syrian refugees.8
As Trump’s viciousness ballooned, the corporate press shifted from portraying him as a carnival sideshow geek to recognizing that he posed a threat to civil society and even democracy itself.9